金馬影展《日租家庭》影評 – 細細淡淡卻直抵內心的日式溫柔
因為金馬影展觀賞了布蘭登費雪的《日租家庭》,這次他不打木乃伊,打的是孤單;透過一次次「出租家人」的任務,他意外找回生命之光。日本電影特有的淡淡溫暖,像一杯煎茶,回味無窮。
What’s your favorite movie? Explore Hollywood confetti with one Neverlandseeker on her journey to the Second Star to the Right!
因為金馬影展觀賞了布蘭登費雪的《日租家庭》,這次他不打木乃伊,打的是孤單;透過一次次「出租家人」的任務,他意外找回生命之光。日本電影特有的淡淡溫暖,像一杯煎茶,回味無窮。
Fraser's character Charlie would tell you with his hopelessly optimistic and big innocent blue eye, "people are incapable of not caring.” Then, you'll find yourself wanting to believe in him.
Three minutes after “Tick tick BOOM” started, I was blown away by Garfield’s singing of “30/90.” In the background, there was piano playing with allegro, with repetitive chords in the minimalism style, just like the “tick-tock” noise of a clock or a time bomb… 《倒數時刻 》影片開始才三分鐘,我已經被 Garfield 唱的 <30/90> 一曲驚艷,背景傳來越來越急促的鋼琴聲,極簡音樂般的和弦重複出現,有如時鐘或定時炸彈的滴答作響 (Tick Tock)…